Pre-empted
Show: None
After
asking Cindy out, and getting rejected, Tim gets the
advice from David to offer to help Cindy with her
homework, but, unfortunately, her homework just happens
to be dressmaking. Later, when Tim is put in a dress
again at the demand of the flamboyant wardrobe mist..
er .. master (Les, of course), it brings out Cindy's
"motherly instincts," and she tries to feed
Tim warm milk. This episode introduces Marc Baillon
as the token "frog" (French Canadian, to
those who don't know what that means). The contest
prizes included a Panasonic radio with telescopic
antenna which worked off either an AC adapter or batteries
(which, the cast assures the audience, is better than
last week's), six record albums, and $25 (To determine
a contest winner, the program flashed someone's name
across the screen, and if that person called in within
one minute, the caller won the prizes). Rodney and
Tim announce the spaghetti eating contest by stuffing
themselves silly with spaghetti.
Production:
CJOH Shoestring |
DID
YOU NOTICE?
- The
episode exists in it's entirety, thanks to a home-video
recording made the day of the broadcast.
- The
program was not produced by Carleton Productions
but, rather, CJOH Productions.
- The
opening animation is completely different from the
1981 and the 1982-90 intros. It features the Parliament
Buildings instead of " The Children's Television
Sausage Factory".
- The
disco set looked similar to the link set and was
full of metallic paper and disco lights.
- Christine
also explains why You Can't Do That On Television
does not use canned laughter... " because we can't
afford it." Laugh tracks didn't accompany the show
until six months later.
- This
was still before Les Lye dyed his hair black
- The
footage of Donna Summer singing Last
Dance in this episode is actually
from a 1978 movie titled Thank God It's
Friday, which was about a night in
the life of a Los Angeles disco (the film was more
inspired by American Graffiti than
Saturday Night Fever,
which some might compare it to). In it, Donna played
a singer who was desperately trying to get the DJ
to play her demo record. For the show, the footage
was edited to remove unrelated shots (mostly reaction
shots of the DJ) from the scene, creating holes
in some sections. The holes were fixed by editors,
who reused shots, and put them in to fix holes throughout.
Still, much of the cast of the film can be seen
in the version played on this episode (In the movie,
the scene was about Donna Summer coming onstage,
against the DJ's wishes, and taking over the show
to do a song).
- The
"Mathman" sketch was later reused in the
Whatever Turns You On
pilot, as did many of the sketches in this episode,
only slightly changed, and re-shot.
- This
was the first episode to use opposite skits. There
was one opposite skit towards the end of this episode,
which, as David explains, was sent in by a viewer
in Kingsmere, Quebec.
- This
is the first episode with Elizabeth Mitchell. She
initially had a rather large part in this episode,
but in the middle of taping the inserts, she developed
laryngitis, and they gave all her lines to Christine.
This explains why she is only in the Locker Jokes
(which are still dark green, in this episode), and
why Christine has a scene where she recites a poem
that Elizabeth recites in the pilot (that seemed
to be written for her).
- This
episode contains the first footage that Les Lye
shot for the series - the scenes of the Bus Inspector
- which were shot in January 1979 at an actual OC
Transpo bus stop.
|
GOOFS
- This
episode has two big, live flubs. The first one is
during the first contest. Cindy answers the phone,
and when the person on the phone gives a wrong answer,
rather than telling the person that he's wrong,
she hands Marc the phone and says "Marc, it's
for you", then blushed.
- Christine
McGlade herself also made a big goof in this one.
When announcing the spaghetti contest, she and Jim
are supposed to keep saying things like, "Go
on, get out of here," to Tim, after he says
that he'll quit his job so he can join the spaghetti
contest. After they say a few of the lines, Christine
gets a really blank look on her face (they even
zoom in on her!), and finally, after nearly five
seconds of dead air, she emerges, saying, "Why
don't you go...catch a bus?". She obviously
threw off the cued videotape with the next few sketches
because her finishing the intro goes over the first
part of the next scene.
|
CLASSIC
QUOTES
Marc:
Are the buses running on time today?
Bus Inspector: Ahh, yes, OC Transpo
buses allways run on time.
Marc: Wouldn't it be better if they
ran on wheels? (runs away)
Bus Inspector: AH, CHEEKY KID!
(When
asked if Cindy was ever in love)
Cindy: It was a frog.
Moose: Cindy, that's no way to speak
of our French Canadian cousins!
(Talking
about a frog Cindy raised, and disected, when Marc
walks in)
Moose: Gross me out! How could you
cut up a frog you've known for years?
Cindy: Ah, c'mon, frogs aren't human!
Marc: Any more of this, and we WILL
separate! |
|

Air
date:
February 10, 1979
s:
Marc
Baillon, Tim Douglas, Rodney Helal, Cyndi Kennedy,
Les Lye, Christine McGlade, Elizabeth Mitchell,
David Halpin, Jim Stechyson and Jim Johnson as the
DJ
w:
Geoffrey Darby, Roger Price
d:
Geoffrey Darby
|
STAGE
POLLUTION
(RECORDS INDEFINITE)
PIE:
Jim, Tim, Les |
MUSICAL
NUMBERS
- Billy
Joel, Say Goodbye To Hollywood
music video
- Donna
Summer, Last Dance music
video
- Andy
Gibb, Love Is Thicker
Than Water music video
|
|